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Concerts with works by
George Benjamin

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Upcoming Concerts

Concerts in season 2024/25 or later where works by George Benjamin is performed

February 22, 2025
Artistic depiction of the event

Chamber Concert

Sat, Feb 22, 2025, 20:00
Julita Smoleń (Violin), Andrea Eun-Jeong Kim (Violin), Alice Marie Weber (Viola), Benedict Hames (Viola), Frederike Jehkul-Sadler (Cello)
No other instrument has had to endure more jokes than the viola. Of course this is completely unjustified when one listens carefully to its richly warm and refined sound, which will be evident in this program of chamber music. The concert opens with nine captivating minutes in which two violas literally intertwine in George Benjamin’s Viola, Viola. The tightly woven dialogue between the two instruments unfolds with tonal depth and polyphonic, highly complex textures, assuming in places an almost orchestral quality: a surging, dance-like, ingeniously direct drama of the viola repertoire. In Beethoven’s String Quintet, the two violas create a remarkably lyrical, warm atmosphere, and in the Mendelssohn they are surprisingly captivating, full of verve and exuding optimism.
February 23, 2025
Artistic depiction of the event

Chamber Concert

Sun, Feb 23, 2025, 18:00
Julita Smoleń (Violin), Andrea Eun-Jeong Kim (Violin), Alice Marie Weber (Viola), Benedict Hames (Viola), Frederike Jehkul-Sadler (Cello)
No other instrument has had to endure more jokes than the viola. Of course this is completely unjustified when one listens carefully to its richly warm and refined sound, which will be evident in this program of chamber music. The concert opens with nine captivating minutes in which two violas literally intertwine in George Benjamin’s Viola, Viola. The tightly woven dialogue between the two instruments unfolds with tonal depth and polyphonic, highly complex textures, assuming in places an almost orchestral quality: a surging, dance-like, ingeniously direct drama of the viola repertoire. In Beethoven’s String Quintet, the two violas create a remarkably lyrical, warm atmosphere, and in the Mendelssohn they are surprisingly captivating, full of verve and exuding optimism.
February 25, 2025
Artistic depiction of the event

CAROLIN WIDMANN

Tue, Feb 25, 2025, 19:30
Widmann Carolin (Violin), SWR Experimentalstudio (Live-Electronic Realisation), Acker Michael (Sound Director)
“Traveler, there is no road. You make your own path as you walk.” Inscribed on the wall of a Spanish monastery, these words were discovered by Luigi Nono in the 1980s and became a kind of motto for his late works. The search for an unattainable music of the future also infuses his penultimate score La lontananza nostalgica utopica futura, composed in 1988–9. Carolin Widmann and the SWR Experimentalstudio bring the piece to the Pierre Boulez Saal. Widmann complements Nono’s meditation on space and sound with works from the 18th and 21st centuries by Telemann, George Benjamin, and Swiss composer Helena Winkelman.
June 1, 2025
June 20, 2025
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BOULEZ ENSEMBLE & GEORGE BENJAMIN

Fri, Jun 20, 2025, 19:30
Benjamin George (Conductor), Boulez Ensemble (Ensemble)
During Pierre Boulez’s tenure as music director of the BBC Symphony Orchestra in the early 1970s, the BBC produced a series of TV documentaries that intro­duced the young George Benjamin to the music of composers such as Stravinsky, Schoenberg, Varèse, and Ives. Not long afterward, while still a teenager, he began his composition studies with Boulez’s former teacher Olivier Messiaen. Now one of the foremost musicians of our time, Benjamin closes the Pierre Boulez Saal season, appearing in multiple artistic capacities. Leading the Boulez Ensemble, he conducts Boulez’s …explosante-fixe… of 1993 in addition to his own Three Inventions and Oliver Knussen’s Two Organa, written in 1995.
June 21, 2025
Artistic depiction of the event

PIERRE-LAURENT AIMARD & GEORGE BENJAMIN

Sat, Jun 21, 2025, 19:00
Benjamin George (Piano), Aimard Pierre-Laurent (Piano)
When experiencing Pierre Boulez’s First Piano Sonata, one should leave all listening habits behind and become a blank page, as the composer himself intended to be—says Pierre-Laurent Aimard, long considered one of the most erudite performers of Boulez’s music. He presents this radically unconventional 1946 work together with George Benjamin’s Shadowlines and a new piece for piano duet, for which he is joined by the composer.